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"ALTERNATIVE
PRESS" (U.S.A)
- Nov. 97 -Jason PETITGREW
"...Line
up the laser on any of le Cornet's 13 tracks, and you'll be charmed
by smeary bass distortion, post-rock sound shifting, industrial
beats, grooves and other mutations."
BLOGSPOT
"Just for a day" WNYU Radio(New York) - April - : "Le
Grand Cornet"
For the last 15+ years, Double Nelson has performed hundreds
of gigs throughout Europe, taken part in the making of european
sci-fi films and soundtracks, recorded five or six albums and
managed to remain completely unknown on this side of the pond.
(perhaps even over there?)
I first ran across them in '97 at the student radio station where
I was supposed to review their Le Grand Cornet CD for the airwaves.
I am not sure what happened but the CD never went back to the
studio. I probably thought it was too bizarre to get any airplay
so I pocketed it. The promo sticker on the front still proclaims
their blurb:
The experience of listening to this album will fall somewhere
between a happy stroll through the park in June and a sleepover
at the local abandoned broiler room. This CD reels between the
pleasant and the disturbed with a mesmerizing grace. Electronic
elements combined with analog noises and eerie french vocals
are at times reminiscent of Tortoise, Seefeel, and even Einsturzende
Neubauten.
Its not a bad description, certainly some Tortoise, definitely
a little early Too Pure-ness and some industrious Neubauten-
but they do not sound anything like any of them. Add in some
Krautrock. Maybe that's why I never reviewed it, their sound
was too confounding. Almost their entire website has been translated
into english, which is good because there is not much information
available anywhere else, especially in a language that I can
understand. Here is the best review I could find after looking
for way too long:
The sonic equivalent of the cross-section of a sculpture done
entirely in raw meat, dripping, oozing, slimy with congealed
fat and laced through with indigestible gristle, Double Nelson
recalls the early '80s glory days of Ralph Records - early Yello
collaborating with The Residents - dug up as a reanimated corpse.
Overstuffed, Peter-Principled basses, sometimes wobbling jazzward
in a distinctively European manner, set off repeated racketing
percussion patterns. The overall effect is occasionally reminiscent
of post-Margaret Fiedler Moonshake, especially when accompanied
by clattering vaguely horn-like samples and heavily processed
guitars. "Le Prom'neur" is punctuated by dentists'
drills and what sounds a lot like a grotesquely distorted, amplified
rubber band. The vocalist mutters and grumbles in French throughout
- because of the language, I've no clue what he's on about, but
it probably isn't marshmallows and flowers.
The overall murk that characterizes Double Nelson is frequently
cut with lugubriously distorted guitars, sounding as if they'd
been recorded underwater and kept from collapsing into an indistinguishable
mass by the structuring agent of repetition: while each track
finds the bass and drums locking into patterns and seldom straying
from them, this isn't dancefloor fodder. Not a pleasant record
then - but equally innocent of both saccharine and posturing
macho nine-inch angst.
Double Nelson - Begon (2003)
Double Nelson - Pece Blues (1999)
Double Nelson - Juan (1997)
Be sure to check out 21 more mp3s at their own websit
"YOUR
FLESH" (U.S.A)
- Nov. 97 -
Howard
W.
"...They
are big on troweling on electronic concrete noise and unintelligible
treated vocals-primary elements of industrial rock style but
without the rigid walking-with-butt-cheeks-clamped cozyougottatakeshitrealbad
beat tropism...The results are refreshing, sculpted but not fastidious,
freewheeling without being unfocussed."
"MAGNET"
(U.S.A)
- July 97 -
Gil GERSHMAN
"...Cancel
those scuba lessons the real thing would only be redundant and
anticlimactic after this fascinating album."
"SPACE
AGE BACHELOR" (Canada)
- Spring 98 -
"...This
American debut album from France's Double Nelson ranks up there
with the creepiest things I've heard lately. The found sound
seem like the sort of thing you'd discover while touring sewers,
and the singer sounds like he's singing out of a smoker's hole-in-the-throat,
while the rhythms are like some dirty futurist version of lo-tech
dub, and spacey synths drift on top. Apparently, they've done
soundtracks for European science fiction movies, so that's a
pretty good indication of what to expect."
"BADABOOM
GRAMOPHONE" (U.S.A)
- Apr. 97 -
"...Very
rarely does one expect to be impressed by original music from
France. Yet, there is Double Nelson, who combine industrial stylings,
bone music (à la Tom Waits) percussion and an overall
playfulness towards a sound all its own.../...a carnivalesque
atmosphere of constantly shifting song forms.
The French are, finally in a good way, fun."
"CMJ
Magazine/"jackpot" (U.S.A)
- March 97 -
Colin HELMS
"...the
sound created by this collective of vocalists, samplers and live
musicians has no one substantial reference point ; rather, it
touches upon many things - dub, musique concrète, industrial,
ambient - but translates them into a musical language largely
foreign to even the above mentioned sensibilities..."Le
grand cornet" is a pure, exacting soundtrack to troubling
dreams and worrisome situations."
"RAGE"
(France)
- Feb. 97 -
Philippe
ROIZES
"...You
need to make a slight effort to to immerse in D.N's universe.
Here, it is rather a mix of "nod-inducing" bass, city
noises, radio cut-ups, night creatures, FX footswitches, metal
clashes as well as incongruous sounds that can be recorded underwater.
Undoubtedly one of the most interesting bands in France. From
the bottom of the heart, thank you !"
"V.K.S"
(France)
- Dec. 96 -
DRAKUS
"...Sound
hallucinations tainted with industrial emulsions. Sensorial fervor,
the machines themselves become hot, human !"
"BUNNYHOP" (U.S.A) - July 97
-
"Stroboscopic
loop-to-loops leave you bamboozled and then laughs ha ha !"
"SAMSON
ALL AREAS" (Holland)
- Dec. 96 -
Swie TIO
"...The
fourth album from these French "transmusicals", full
of hypnotic rhythms and tiny noises, bleeps and plops, with brutal
eruptions of sounds.
A bit like Yello, but different."
"ROCK
SOUND" (France)
- Dec. 96 -
Frank
FREJNIK
"..."Le
grand cornet" makes use of all the experiments the band
has been working on since 1986 (soundtracks for film shorts,
recording with African bands, production of a radiophonic play...)
to take the form of these dark and threatening 50 minutes."
"IOYE"
(Holland)
- Apr. 97 -
Stijn
WUITENS
"...Rhythms
from the belly of a drumcomputer are edged by psychedellic experiments
and heavy bass strings. Lyrics are in English or French, anyway
the monsters can start dancing."
"L'INDIC"
(France)
- Nov./Dec. 96 -
Sylvie
C.
"...Repetitive
rhythms, sound gurglings, noise layers soothed by a generous
bass and excited by an anarchical guitar, the whole of which
results in an uncontrollable sound collage."
"RAYGUN"
(U.S.A)
- May 96 -
Stereolab
Interview ...
"...artists
like Double Nelson transcend the French restrictive musical tradition..."
"LES
INROCKUPTIBLES" (France)
- Dec. 96 -
René
GUYOMARC'H
"...This
record has something primitive and, apart from the technology
used for its recording, it spreads an ambience of skilful brutality
and prehistoric chaos."
"LIBERATION"
(France)
- Feb. 97 -
Gilles
RENAULT
"..."Le
grand cornet", a fricassee of more or less familiar sounds
(coughs, bird singing, breathing, guitar, various machines...)
and hardly negotiable sinuous track, hardly assimilated (for
those who would be anxious to center the object), simultaneously
mutant funk rock (Sick), an industrial wasteland (Coeuss), or
a fanfare for an anti-atomic shelter (Vomitif) into which the
vocals, now female, now male, try to clear their way, somehow
or other."
"RAGE"
(France)
- Feb. 97 -
Philippe
ROIZES
"...a
sort of damned diverted white dub which swarms out of the speakers.
Bouncing bass lines, sounds full of invention that you would
never imagine being recycled in a song, saturation blasts, floating
claustrophopbia, sustained rhythms, transvestied vocals, instrumentals
and ostensible lyrics, collected objects ... D.N finelly reorganizes
a mess of throw-outs."
"LONGUEUR
D'ONDES" (France)
- Jan. 97 -
Vincent MICHAUD
"...Unidentifiable
and cabalistic, they deliver, record after record, excerpts of
their own ever-mutating odd musical fashion. Just as you have
put them into the synthetic punk register, they turn into an
electro-experimental universe which is full of gargoyles and
other soft-focused creatures from a hybrid musical world."
"HIFI
VIDEO"
(France)
- Feb. 97 -
"...They
build a universe of violence, trance, chaos, climates, colors
and anguish through the 17 tracks of good, rich, daring, full
of contrasts, and humorous music which never gets you bored."
"GUITARE
& CLAVIERS" (France)
- Feb. 97-
Pavement Interview
"...
I listen to a great deal of French music, some pop from the sixties
like F. Hardy , and i also dig Double Nelson, it's really very
weird but interesting."
"ZIPPER"
(France)
- Jan. 97 -
Anne and
Julien
"...halfway
between industrial and wild sampling. The vocals are muttered,
ghostly. The music is jammed with noises, screams and "sticky"
UFOs. "We'd like our music to be rich, daring, full of contrasts
and climates, a music which can evoke images, violence, trance,
colors, chaos..."
"SAMSON
ALL AREAS" (Holland)
- May 97 -
Swie TIO
Avant-gardist
but danceable ? Totally mad but irresistible ? Passionnate but
merry at the same time ? Double Nelson is all that and even more,
a French equivalent of a "feel good movie". A grumbling,
whispering, boiling "gnome-disco" which forces you
to move your feet and provoke an earthquake on the dancefloor.
Boom ! Ouch !